Posts Tagged ‘fine art’

Tabula Rasa at Gallery Aferro

Friday, March 6th, 2009

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Including three paintings by Ian Summers

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Death Confused

42″ X 36″

Mixed Media on Tar Paper

Copyright 2009 Ian Summers

Gallery Aferro

73 Market St Newark NJ 07102

www.aferro.org

Curated by Evonne M. Davis

March 21 – May 16, 2009

Opening Reception March 21, 7-10 PM

Tabula Rasa (‘ täbyoŏlə ˈräsə; ˈräzə) refers to an absence of preconceived ideas or predetermined goals; a clean slate. The phrase carries baggage from belief systems in which the human mind at birth is viewed as having no innate ideas. Denying what is obvious is praticed as a gesture of resistance by some of the artists, most or all of whom are affected, however indirectly, by the notions derived from existentialism and the  nothingness of existence, ennui. Inspired curatorially by the concept of residual information that persists after erasure, the exhibition is one of several to date by Evonne M. Davis  concerning the nature of knowing, learning and unlearning.

ORIGIN Latin, literally ‘scraped tablet,’ denoting a tablet with the writing erased.

Artists: Dave Beck, Katrina Bello, Michael Davies, Brian DeLevie, Gary Duehr, Maria Emilov, Jonathan Franco, Brian Gustafon, Erik Hanson, Emily Henretta, Casey Lynch, Carol Petino, Kara Rooney, Ryan Schroeder, Joshua Schwebel, Travis LeRoy Southworth, Ian Summers, Alexis West

Please Visit http://iansummersartwork.com

William Butler Yeats & Nine Muses – Ideas Stimulators

Saturday, January 24th, 2009

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Jean-Marc Nattier

Thalia, The Muse of Comedy

1739

Those Images

William Butler Yeats (1938)

What if I bade you leave
The cavern of the mind?
There’s better exercise
In the sunlight and wind.

I never bade you go
To Moscow or to Rome.
Renounce that drudgery,
Call the Muses home.

Seek those images
That constitute the wild,
The lion and the virgin,
The harlot and the child.

Find in middle air
An eagle on the wing,
Recognize the fire
That make the Muses sing.



In Greek mythology, the Muses are nine Greek goddesses of the arts and sciences. According to Hesiod’s Theogony, they are the daughters of Zeus, king of the gods, and Mnemosyne, goddess of memory. The Muses inspired artists, musicians and poets. The word muse is used figuratively to denote someone who inspires an artist.

The next time you are creating call in one of the muses. Search the Internet for depictions of the Muse who you feel most related to. Light a candle. Say her name three times. And allow her to guide you. Suspend disbelief.

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The  Nine Muses


Euterpe (music) Meaning rejoicing well or delight. She was the daughter of Zeus and Mnemosyne. Called the Giver of Pleasure, she was the muse of music. In late Classical Greek times she was named muse of lyric poetry and depicted holding a flute. She invented the double-flute. The river Strymon impregnated her; her son Rhesus was killed by Diomedes at Troy.

Calliope (epic poetry) means beautiful voice. She was the muse for epic poetry. She had two sons, Orpheus and Linus with Apollo. She was the oldest and wisest of the Muses. She was the judge in the argument over Adonis between Aphrodite and Persephone. She was represented by a stylus and wax tablets.

Clio (history) was the Muse of heroic poetry and history. She had one son, Hyacinth, with the King of Macedonia, Pierus. She was represented with a parchment scroll or a set of tablets. She is also known as the Proclaimer.

Erato (lyric poetry) means lovely. She was represented with a lyre. She was the Muse of lyric poetry and hymns. With Arcas, she had one son: Azan.

Melpomene (tragedy) (“choir”) was means choir. She is represented with a tragic mask and wearing the cothurnus, boots traditionally worn by tragic actors. She often holds a knife or club in one hand and the tragic mask in the other.

Polyhymnia (sacred poetry) means many songs. She was the Muse of sacred hymn and eloquence. She is a very serious woman, pensive and meditative. She is often depicted holding a finger to her mouth, dressed in a long cloak and veil and resting her elbow on a pillar.

Terpsichore (dancing) rules over dance and the dramatic chorus. She is usually depicted sitting down, holding a lyre. She is sometimes said to be the mother of the Sirens by Achelous and the mother of Linus by Apollo.

Thalia (comedy) means good cheer and to bloom. She was the muse of comedy and pastoral poetry. She was a rural goddess with the attributes of a comic mask and a shepherd’s crook.

Urania (astronomy) means heavenly. She was the muse of astronomy and astrology. She was the mother of Linus by Apollo. She is usually depicted as having a globe in her left hand and a peg in the right.

Michelangelo’s David – Idea Stimulator

Sunday, November 16th, 2008

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1. You are able to create beauty even with a weak foundation if you have an attitude of constructive creativity. The marble Michelangelo was given to create David was substandard and he worked with it anyway. What in your life has both a weak foundation AND seems to be calling you to create something with it? Many commercial photographers believe and fear that the foundation they’ve built their businesses upon is crumbling.

2. You can make the same thing as other people AND do it from a different perspective to produce a completely different experience. Michelangelo created David BEFORE his big battle, while traditionally he had been sculpted as the victor – post battle – by everyone else. What have you been thinking about taking into action that ‘Everyone else has already done before?’ How can you look at your idea differently? For example, commercial photographers struggle with getting the attention of the people who can give them what they want. Yet, many still go about getting attention the same way — postcards. It is time to apply the same energies you use to create photographs to differentiate your marketing.

3. Craft your life and your life work with the people you live with (or in terms of a business or project, the reader, participant, audience) at the forefront of your mind. The eyes of David are not formed anatomically correct; they are actually looking out in different directions that are not possible for the human eyes to simultaneously look. Michelangelo knew that when people looked at his work from the profile they would see on profile and one eye, and when they looked from the other side, they would see the opposite side which would look more impressive with the eye peering slightly differently. Not a huge tweak, and not noticeable unless you are eye to eye with the sculpture, which is physically impossible unless you were on a scaffold. It is like some special effects in a modern movie. What tiny tweaks or special effects would attract and engage people with your career and your artwork.

4. Your life and work may bring about different meanings for different people. For some scientists, David is an amazing study of human anatomy. To others, it is a study of human emotions. Some art historians note there is anger in David’s expression. Others say the work is sculpted in his moment of decision to enter battle, so he looks expectant. What would a scientist say about your life and work? What about an artist, a gas station attendant, your sixth grade teacher?

5. When your life and work is appealing to a wide audience and it gains fame and notoriety, other people will capitalize on both you and the project. Reproductions of David are available in many forms. Even garden sculptures are available. What might others capture about your life and work to launch their business? What if you widened your audience?

6. Michelangelo crafted David in response to his patriotic love for his home city of Firenze. The sculpture whispered freedom into his ears as his city had recently become free… What in your life or work is whispering freedom to you? How can you take that raw heartfelt emotion and use it as a component of your work, project or life?

7. The sheer physical size of David is beyond words. To say ‘larger than life’ is almost amusing… except there is no other way to express it! In what ways does your work, life or project have a larger than life feeling to it? How does this inspire you? If you feel fear in relationship to the largeness of it, how can you step away from that emotion and get grounded in the sheer joy of it?

8. It took Michelangelo three years to complete David. Are you committed to a big project that you can allow three years to pass from start to completion? Expecting a masterpiece to be crafted with microwave speed is simply not always possible. How can you remain open and committed to the time it takes to create a masterpiece?

9. David was borne from Michelangelo’s vision and passionate action to transform that vision from his own experience to a tangible experience for all. His famous words about his work are “I saw the angel in the marble and carved until I set him free.” What vision are you seeing that is waiting for your special touch and guidance to set it free? What passionate actions are you willing to take to set it free?

This above article was inspired, borrowed, changed, embellished
from a piece by Julie Jordan Scott who is a life coach.

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