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	<title>Comments on: William Kentridge&#8217;s Artist Statement and Animated Videos</title>
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	<link>http://heartstorming.com/2009/05/william-kentridges-artist-statement-and-animated-videos/</link>
	<description>Creative and Career Coaching</description>
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		<title>By: Ian Summers</title>
		<link>http://heartstorming.com/2009/05/william-kentridges-artist-statement-and-animated-videos/comment-page-1/#comment-799</link>
		<dc:creator>Ian Summers</dc:creator>
		<pubDate>Thu, 10 Jun 2010 20:02:44 +0000</pubDate>
		<guid isPermaLink="false">http://heartstorming.com/?p=1819#comment-799</guid>
		<description>&lt;a href=&quot;http://www.sketchtheatre.com/?p=2154&quot; rel=&quot;nofollow&quot;&gt;http://www.sketchtheatre.com/?p=2154&lt;/a&gt;

Many years ago, I conceived, wrote and designed a half dozen books about science fiction and fantasy art including Tomorrow and Beyond, Barlowe&#039;s Guide to Extrterrestrials, and The Art of the Brothers Hildebrandt. This link brought me back to the days when were redefining science fiction and fantasy illustration. Star Wars. Star Trek. And then I came across this link which includes an interview with Wayne Barlowe, a former collaborator. I am no longer particularly interested in this genre of illustration, but thought you might like to see some of the videos and interviews on Sketch Theatre. The artists do not necessarily see drawing as a noun. These are films that document the techniques leading to paintings.

I still love to look at sketchbooks as they often reveal process and do not get caught up in the tightness of final rendering. Barlowe has included sketches in most of his books including the one we did together.

Kentridge&#039;s devotion to drawing and film making trumps most artists&#039; dedication and expression to drawing as an end product. His process seems to be spontaneous. His mistakes are as interesting as his deliberation. He is a true multimedia sensation. Please let me know how your dissertation develops.</description>
		<content:encoded><![CDATA[<p><a href="http://www.sketchtheatre.com/?p=2154" rel="nofollow">http://www.sketchtheatre.com/?p=2154</a></p>
<p>Many years ago, I conceived, wrote and designed a half dozen books about science fiction and fantasy art including Tomorrow and Beyond, Barlowe&#8217;s Guide to Extrterrestrials, and The Art of the Brothers Hildebrandt. This link brought me back to the days when were redefining science fiction and fantasy illustration. Star Wars. Star Trek. And then I came across this link which includes an interview with Wayne Barlowe, a former collaborator. I am no longer particularly interested in this genre of illustration, but thought you might like to see some of the videos and interviews on Sketch Theatre. The artists do not necessarily see drawing as a noun. These are films that document the techniques leading to paintings.</p>
<p>I still love to look at sketchbooks as they often reveal process and do not get caught up in the tightness of final rendering. Barlowe has included sketches in most of his books including the one we did together.</p>
<p>Kentridge&#8217;s devotion to drawing and film making trumps most artists&#8217; dedication and expression to drawing as an end product. His process seems to be spontaneous. His mistakes are as interesting as his deliberation. He is a true multimedia sensation. Please let me know how your dissertation develops.</p>
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		<title>By: Beryl Desmond</title>
		<link>http://heartstorming.com/2009/05/william-kentridges-artist-statement-and-animated-videos/comment-page-1/#comment-795</link>
		<dc:creator>Beryl Desmond</dc:creator>
		<pubDate>Thu, 10 Jun 2010 09:08:25 +0000</pubDate>
		<guid isPermaLink="false">http://heartstorming.com/?p=1819#comment-795</guid>
		<description>Hi I am finishing my second year at Bathspa school of art and have begun my research for my final dissertation that is concerned with contemporary drawing and whether it has finally achieved autonomy.  I will be questioning whether drawing has finally left behind its role as merely a preparatory process and am looking for evidence that it is now enjoying a new status as the product ie the noun rather than the verb.  I am fascinated by the way that Kentrigde has stayed loyal to his drawing practice and combined it with film -making and has suceeded in raising both to a new level of art.  I would be interested to hear of other contemporary  artists who consider drawing as a product in its own right.</description>
		<content:encoded><![CDATA[<p>Hi I am finishing my second year at Bathspa school of art and have begun my research for my final dissertation that is concerned with contemporary drawing and whether it has finally achieved autonomy.  I will be questioning whether drawing has finally left behind its role as merely a preparatory process and am looking for evidence that it is now enjoying a new status as the product ie the noun rather than the verb.  I am fascinated by the way that Kentrigde has stayed loyal to his drawing practice and combined it with film -making and has suceeded in raising both to a new level of art.  I would be interested to hear of other contemporary  artists who consider drawing as a product in its own right.</p>
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		<title>By: Ian Summers</title>
		<link>http://heartstorming.com/2009/05/william-kentridges-artist-statement-and-animated-videos/comment-page-1/#comment-790</link>
		<dc:creator>Ian Summers</dc:creator>
		<pubDate>Wed, 09 Jun 2010 14:07:59 +0000</pubDate>
		<guid isPermaLink="false">http://heartstorming.com/?p=1819#comment-790</guid>
		<description>Thanks Beryl,

Where are you studying? Please pass the site onto fellow fine art students. Your comments are welcome here. Where may I see some of your art? I have a separate site which displays my work at http://www/iansummersartwork.</description>
		<content:encoded><![CDATA[<p>Thanks Beryl,</p>
<p>Where are you studying? Please pass the site onto fellow fine art students. Your comments are welcome here. Where may I see some of your art? I have a separate site which displays my work at <a href="http://www/iansummersartwork" rel="nofollow">http://www/iansummersartwork</a>.</p>
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		<title>By: Beryl Desmond</title>
		<link>http://heartstorming.com/2009/05/william-kentridges-artist-statement-and-animated-videos/comment-page-1/#comment-789</link>
		<dc:creator>Beryl Desmond</dc:creator>
		<pubDate>Wed, 09 Jun 2010 08:34:46 +0000</pubDate>
		<guid isPermaLink="false">http://heartstorming.com/?p=1819#comment-789</guid>
		<description>As a BA Fine Art degree student I have found this site very interesting and will return to it.</description>
		<content:encoded><![CDATA[<p>As a BA Fine Art degree student I have found this site very interesting and will return to it.</p>
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		<title>By: Bus Rental ny</title>
		<link>http://heartstorming.com/2009/05/william-kentridges-artist-statement-and-animated-videos/comment-page-1/#comment-581</link>
		<dc:creator>Bus Rental ny</dc:creator>
		<pubDate>Sat, 17 Apr 2010 17:29:25 +0000</pubDate>
		<guid isPermaLink="false">http://heartstorming.com/?p=1819#comment-581</guid>
		<description>What a positive influence your post has been to me. I hope you continue to write</description>
		<content:encoded><![CDATA[<p>What a positive influence your post has been to me. I hope you continue to write</p>
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		<title>By: Mark Estes</title>
		<link>http://heartstorming.com/2009/05/william-kentridges-artist-statement-and-animated-videos/comment-page-1/#comment-200</link>
		<dc:creator>Mark Estes</dc:creator>
		<pubDate>Tue, 28 Jul 2009 18:15:18 +0000</pubDate>
		<guid isPermaLink="false">http://heartstorming.com/?p=1819#comment-200</guid>
		<description>I also discovered William Kentridge recently. I spent my 52nd birthday at the SF MOMA and never got past the Kentridge exhibit. A gigantic multi-room series so original, powerful and stunning that I had to sit in the cafe before I could go on. Dark and emotionally flowing drawings, paintings and sculptures. Animated film after film after film. Almost all self portraits with a message, often political. Capitol &quot;P&quot; prolific. He&#039;s an original, multi-faceted and inspiring- free-flowing draftsman. His animations are clearly born from his drawings and blended with a facination with movement much the same way a flip book would intrigue. Political and powerful but with whimsy too. An amazing simplicity and urgency in the animations. Just when I was exhausted and thought I was unable to view the last room, I found that last display room of his animated mechanical theatrical opera stage sets amazing like nothing I&#039;d ever seen before. Drawings came to life via animated drawings and collages on a kind of surrealist&#039;s industrial stage with mechanical robots dancing. Yes dancing!</description>
		<content:encoded><![CDATA[<p>I also discovered William Kentridge recently. I spent my 52nd birthday at the SF MOMA and never got past the Kentridge exhibit. A gigantic multi-room series so original, powerful and stunning that I had to sit in the cafe before I could go on. Dark and emotionally flowing drawings, paintings and sculptures. Animated film after film after film. Almost all self portraits with a message, often political. Capitol &#8220;P&#8221; prolific. He&#8217;s an original, multi-faceted and inspiring- free-flowing draftsman. His animations are clearly born from his drawings and blended with a facination with movement much the same way a flip book would intrigue. Political and powerful but with whimsy too. An amazing simplicity and urgency in the animations. Just when I was exhausted and thought I was unable to view the last room, I found that last display room of his animated mechanical theatrical opera stage sets amazing like nothing I&#8217;d ever seen before. Drawings came to life via animated drawings and collages on a kind of surrealist&#8217;s industrial stage with mechanical robots dancing. Yes dancing!</p>
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